Lightning in a Bottle Festival 2012
Bassnectar, DJ Laura, R/D, a painter, and Salva
Flickr set: HERE
Review: HERE
Lightning in a Bottle Festival 2012
Bassnectar, DJ Laura, R/D, a painter, and Salva
Flickr set: HERE
Review: HERE
Here it is!!! We hope you guys are ready for an Eternal Summer…Issue 05 is out now for Digital or print purchase. http://www.magcloud.com/browse/issue/392427 (Taken with Instagram at Unleash’d Magazine HQ)
I have two articles in this lovely magazine. Snatch it up while you can!
http://nola.livemusicblog.com/2012/04/10/drama-on-decatur-portugal-the-man-drummer-quits-band-plays-on/
(submitted by arturoavargas)
I have a brand new stage that will debut at Coachella. It’s a whole entirely new show. Coachella is the debut, that’s the stage I will be taking out with me on the road for the “Freaks of Nature” tour. It’s a big move for me. I kind of put my toe in the water with Identity Festival and this is really the first time that I’ve sat down with people that design stages and come up with entire concepts and try to realize a bigger vision for what my music can be. I’m really excited because it’s the first time I’ve ever done anything like this. Coachella is amazing as it is but to debut it there is a really exciting time.
It’s a stage that kind of morphs into different parts and changes throughout my performance…
| — |
Kaskade - Interview with Examiner.com Continue reading on Examiner.com Coachella 2012 Preview: Interview with Kaskade http://www.examiner.com/local-music-in-los-angeles/coachella-2012-preview-interview-with-kaskade#ixzz1rLBmyLlz |
Dear Stranger, by Shizuka Yokomizo
For this 1998-2000 series of portraits, photographer Shizuka Yokomizo left several anonymous letters on the doorsteps of random ground floor apartments that read:
“Dear Stranger,
I am an artist working on a photographic project which involves people I do not know…. I would like to take a photograph of you standing in your front room from the street in the evening.”
The letter specified a certain ten-minute period during which the artist would approach, take the picture, and slip back into the darkness. She would only reveal her identity once her subjects received a print and contact information (so that they could let her know if they objected to their portrait being exhibited).
Yokomizo made sure that when the photos were taken, the light would be too dark outside to see her — it would only allow her subjects to see their own reflections in the window they were looking out of.
Cursive, Ume, and Virgin Islands at The Glass House (Pomona, CA - 2/24/2012)
Flickr set: HERE
Review: HERE
Matisyahu Shaved His Beard, Denounces Hasidic Judaism(?)
Can’t wait for this to get the Self Pop Tart treatment.